Tag: streaming reviews

  • Godzilla Minus One

    I’m not a Godzilla fan though I’ll admit to a soft-spot for Blue Oyster Cult’s Godzilla. So I came to GMO with mixed expectations. The reviews were sterling. The franchise not so much. And when all was said and done and Tokyo was saved, I leaned toward the reviews. The best parts of Godzilla Minus…

  • Bob Marley: One Love

    When it comes to Bob Marley, I’m of that typical class of loose fan who know next to nothing about someone except their most famous work. From that perspective, One Love will both reward and frustrate you. Kingsley Ben-Adir (impossibly handsome and showing none of the real-world mileage of Marley) is damn good: charismatic, funny,…

  • The Blue Angels

    Can a documentary that is exactly what you expected ever be good? The Blue Angels is here to answer that question – at least if you love spectacular flying and wildly gung-ho fliers. All that’s missing is the Top Gun Anthem and Take My Breath Away. But hey, you do get “The Blue Angel Creed”…

  • American Fiction

    It would be hard to imagine a more convincing send-up of modern leftist attitudes on race than American Fiction. Every moment of the plot that focuses on My Pafology (or Fuck as it comes to be called) is laugh out loud funny and spot on. Cutting without being cruel and only occasionally a bit broad,…

  • Anselm

    It was Wim Wenders not Anselm Kiefer that drew me to watch the documentary Anselm. I knew next to nothing about his work and, if I had known, probably wouldn’t have been that big a fan. But Wenders’ uses the camera to get inside Anselm’s work and make you experience it. Even the paintings seem,…

  • The Three Body Problem

    My (fairly stupid) rule of thumb when it comes to a TV miniseries is that I will only watch it if I have read and enjoyed the book it’s based on. Three Body Problem qualifies, though it’s probably the only trilogy I’ve read where the first book is my least favorite. Still, this is a…

  • Harakiri

    A meditation on honor that captures its essence and its danger. Though wrapped in the form of a vengeance movie, the suspense is genuine and you never quite know exactly how it’s going to come out. Nor does the ending disappoint – though in some respects it definitely DOES disappoint. No spoilers, but…justice? Forget it,…

  • Office Space

    A late ’90s classic that captures what office work is really like. That’s not something Hollywood does well. This isn’t the ham-fisted satire of Gerwig’s Mattel scenes (what a contrast from Ladybird). This is white-collar working life written by someone who knows something about it. “Write what you know,” turns out be pretty good advice.…

  • Metropolitan

    Why has Whit Stillman made so few movies? His filmography is great. Sure, it’s tailor made for someone like me, but I note that most of his (very modestly budgeted movies) seem to have done okay at the box office. His U.H.B (Urban Haute Bourgeoisie) trilogy (which Metropolitan kicks off) is unique. Each movie is…

  • After Hours

    Not as famous as the movies that surrounded it, but After Hours is very much Scorsese at his peak. Griffin Dunne finds himself in a late night fever dream, swallowed up by the craziness of SoHo when it was still SoHo. And no matter how hard he tries, he cannot get home. Each time he…