Tag: movie reviews

  • Office Space

    A late ’90s classic that captures what office work is really like. That’s not something Hollywood does well. This isn’t the ham-fisted satire of Gerwig’s Mattel scenes (what a contrast from Ladybird). This is white-collar working life written by someone who knows something about it. “Write what you know,” turns out be pretty good advice.…

  • Brooklyn

    A remarkably faithful adaptation of Colm Toibin’s excellent novel. It has most of the strengths of the book (courtesy of a fine and well-cast group of actors) and also its biggest weakness. Because what Eilis does when she returns to Ireland didn’t feel either right or true when I read the book and still feels…

  • Metropolitan

    Why has Whit Stillman made so few movies? His filmography is great. Sure, it’s tailor made for someone like me, but I note that most of his (very modestly budgeted movies) seem to have done okay at the box office. His U.H.B (Urban Haute Bourgeoisie) trilogy (which Metropolitan kicks off) is unique. Each movie is…

  • Heat

    In some alternate, happier Michael Mann universe, Robert De Niro just keeps driving to LAX and Pacino has the shootout with Kevin Gage’s Waingro. Justice wouldn’t be served, but I’d like that ending very much – and not just because it would be so unexpected. But even if we all know that De Niro and…

  • Escape from New York

    Bear with me here. I’m not saying Escape from New York is a good movie. It most definitely is not. But it is a fun movie. Like Highlander, it would benefit hugely from a remake. Many of the special effects are risible. Some of the casting decisions are worse than that. Donald Pleasance (surely one…

  • Asteroid City

    Wes Anderson movies are an acquired taste and, unfortunately, I seem to have acquired the taste. It was Grand Budapest Hotel that really did me in. I love it. And while no other Wes Anderson movie is in the same ballpark (I merely survived The French Dispatch), I enjoyed his Roald Dahl shorts and –…

  • After Hours

    Not as famous as the movies that surrounded it, but After Hours is very much Scorsese at his peak. Griffin Dunne finds himself in a late night fever dream, swallowed up by the craziness of SoHo when it was still SoHo. And no matter how hard he tries, he cannot get home. Each time he…

  • Tetris

    Not quite as elegant or compelling as the game itself, the origin story nevertheless manages to tell a fascinating and surprisingly sweet tale of gamesmanship and devotion to craft. Yes, the closing sequences in Russia border on farce and do the movie a disservice, but the essence of the story, much like the game, is…

  • Dark City

    The year before Matrix and more than a decade before Inception came Dark City. Perhaps The Matrix’s all-around brilliance and incredible special effects cast a permanent shadow on Dark City. Yet it is a compelling and fascinating story in its own right. And I can’t help but think Nolan’s incredible shifting cityscapes owe some debt…

  • The Day of the Jackal

    As the elaborate cat-and-mouse game unfolds, it’s never quite clear who is the hunted and who the hunter. The Jackal (a brilliant Edward Fox as a professional assassin) is stalking de Gaulle. And the entire French government is stalking the Jackal. I suppose one knows that de Gaulle isn’t going to die, but what makes…