-
Love’s Labour’s Lost
Perhaps the most flawed of Branagh’s Shakespeare films, Love’s Labour’s Lost is a fitting adaptation of one of Shakespeare’s weaker plays. It’s a silly story and Branagh leans hard into the silliness while transplanting the action into a pre-war (WW2) setting and transforming the play into a Porter and Gershwin jukebox musical. Too much of…
-
Ryuichi Sakamoto | Opus
I won’t pretend this is a movie for everyone. You need to like modern classical music or I suspect you will find this film interminable and probably sleep inducing. But if you check that box, Opus is an intimate private piano recital in your living room. It’s a 1hr 40minute concert with nothing but Sakamoto…
-
Escape from New York
Bear with me here. I’m not saying Escape from New York is a good movie. It most definitely is not. But it is a fun movie. Like Highlander, it would benefit hugely from a remake. Many of the special effects are risible. Some of the casting decisions are worse than that. Donald Pleasance (surely one…
-
The Sting
Criterion’s newest collection is movies all about con-games. I love this sub-genre and while some great ones are missing, you can choose from The Grifters, The Lady Eve, Trouble in Paradise, Matchstick Men and, of course, the platonic form of con movies, The Sting. Few movies have such balanced leading-man roles and both Redford and…
-
The Eight Mountains
The journey from book to movie is arduous and fraught. It is exceedingly rare for a movie to flatly exceed its source (e.g. The Godfather) and perhaps even less common for the movie to be a perfect distillation of the novel. The Eight Mountains is that. It brings every scene and every character to life…
-
The French Connection
Probably the Platonic Form of the cop chasing criminals movie. A great star (Gene Hackman), a great supporting cast, a ZERO frills (1.44 run-time) script so tight your jaw will need unclenching by the end, one of the great car chases ever – so good it holds up after five decades – and a dark…